Grammy-winning vocalist Arooj Aftab has taken a stand against an American magazine and a music critic, accusing them of publishing a racist review of her latest album. Aftab’s response on social media has ignited a discussion about racial prejudice and Islamophobia within the music industry.
Arooj Aftab released her experimental jazz album, “Love in Exile,” in March 2023. Collaborating with American pianist and jazz composer Vijay Iyer and musician Shahzad Ismaily, Aftab garnered critical acclaim for her unique fusion of Urdu poetry and jazz elements. Music magazine Pitchfork praised the album, noting the emotional depth created through the repetition of couplets.
However, a review by contributing editor and music critic John McDonough in jazz and blues magazine DownBeat presented a contrasting viewpoint. McDonough described the album as featuring “Urdu chants” that contributed to a “tedious monotony,” and he questioned the universality of music as a language. Aftab, understandably disappointed, took to social media to call out the writer and magazine, accusing them of racism and Islamophobia. She criticized the reduction of her album and the contributions of South Asian artists to mere chanting, highlighting the systemic bias faced by marginalized communities.
Vijay Iyer, who collaborated on the album, voiced his support for Aftab, calling out the acceptance of such views in jazz journalism. DownBeat editor Frank Alkyer responded, defending McDonough’s right to criticize but denying any malice or racism. Aftab maintained that the lines printed were racist, emphasizing the racial undertones in McDonough’s review. She emphasized the need for a more inclusive and diverse music industry, where critics approach their work with cultural sensitivity, avoiding stereotypes and biases.
Arooj Aftab’s call-out serves as a reminder that artists deserve fair evaluations of their work, free from discrimination based on ethnicity or background. It underscores the importance of promoting inclusivity and diversity in the music industry and highlights the role of music journalism in shaping public opinion and providing exposure to artists.
