Summary
- LOS ANGELES: Stop-motion animated film Wildwood is highlighting the value of human imagination and craftsmanship at a time when artificial intelligence is transforming the entertainment industry.
- Speaking at the film’s premiere in Los Angeles, Knight said hundreds of artists had dedicated years to bringing the story to life through physical craftsmanship, imagination and painstaking work.
- Knight, who also serves as Laika’s chief executive, said the film demonstrated what artists could achieve when they combined their skills and imagination to tell an emotionally meaningful story.
LOS ANGELES: Stop-motion animated film Wildwood is highlighting the value of human imagination and craftsmanship at a time when artificial intelligence is transforming the entertainment industry.
Directed by Travis Knight, the film comes from Laika, the US animation studio behind Coraline. The ambitious production took 16 years to reach the big screen and is already generating Oscar buzz ahead of next year’s awards season.
Speaking at the film’s premiere in Los Angeles, Knight said hundreds of artists had dedicated years to bringing the story to life through physical craftsmanship, imagination and painstaking work.
He described the project as a celebration of human creativity, arguing that computers could imitate aspects of human experience but could not genuinely experience emotions such as grief, joy, love or heartbreak.
Stop-motion animation involves photographing physical objects one frame at a time, with small movements between shots creating the illusion of motion. Unlike computer-generated animation, the technique relies heavily on handcrafted models, detailed sets and the precise work of animators.
Knight, who also serves as Laika’s chief executive, said the film demonstrated what artists could achieve when they combined their skills and imagination to tell an emotionally meaningful story.
Wildwood follows Prue McKeel, voiced by Peyton Elizabeth Lee, whose younger brother is kidnapped by a flock of crows. Determined to rescue him, she ventures into the mysterious Impassable Wilderness, a hidden forest outside Portland, Oregon, filled with talking animals and magical creatures.
Accompanied by her friend Curtis, voiced by Jacob Tremblay, Prue discovers a fantastical world threatened by ambition, grief and the possibility of war. Her journey becomes both a rescue mission and an exploration of courage, loss and personal growth.
Lee said she connected with Prue’s experience of growing up and discovering that her understanding of the world was not as complete as she had imagined. She noted that the character’s journey reflects the uncertainty and challenges many young people encounter as they mature.
Tremblay also found similarities between himself and Curtis, whose understanding of bravery is shaped by the fictional heroes he admires in comic books and video games.
The production team incorporated elements of the actors’ physical performances into the animation process. Their gestures were recorded while they delivered their dialogue, allowing animators to draw inspiration from their movements when shaping the characters.
The film features an extensive voice cast, including Angela Bassett, Carey Mulligan, Mahershala Ali and Awkwafina.
Animation supervisor Brad Schiff said the production had pushed technical boundaries, particularly in the complexity of facial expressions and the range of animal characters. He explained that each Laika film builds on the research and development undertaken for previous projects, allowing the studio to achieve results that were difficult to accomplish just a few years ago.
Inspired by Colin Meloy’s book of the same name, Wildwood also pays tribute to Portland, where Laika is based. Knight said the film’s strong connection to a particular place helped give its story a broader emotional appeal.
As artificial intelligence increasingly enters filmmaking and animation, Wildwood offers a reminder of the role of human artistry in storytelling. Its creators believe that detailed craftsmanship, emotional depth and personal imagination remain central to bringing fictional worlds to life.
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